WEBVTT

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How do you picture

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the biggest digital award?

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Don't bother —

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today I'll show you everything!

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Hi everyone!

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My name is Lera, and today

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we're heading to the award ceremony

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Tagline,

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to find out how much the gear on site costs.

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At the end I'll name the total.

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By the way, for 8 years running

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the technical production of this prestigious award

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has been trusted to the best production team in Moscow.

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And that's us.

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Dima, how many metres have you got?

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Five metres, why?

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By the way, are you free?

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Uh, yeah.

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I'll write your number in the comments.

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How many centimetres have you got?

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Vyacheslav, tell us — how many centimetres have you got?

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Tell me, please — what's better to shoot: porn or Tagline?

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Doesn't matter what you shoot — what matters is what's next.

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And next, the money.

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Before we start, we traditionally grab an interview outside.

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The signal goes over intercom into this little box.

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It's called a sender.

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And it costs 250 thousand.

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We're using two of them today.

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This is a 24-70 GM II.

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The crane is priceless, as Dima says.

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Dima, how much?

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150k — a 300 Nova.

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And the 600 — around 250k.

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Panels, Boling lights — 20k.

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Today we're using an FX6 with lenses,

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a Power Zoom, G-Master glass —

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that's about 350 thousand,

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the cameras — 500 thousand.

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The signal goes to the control room, logos get overlaid,

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and it also reaches us on this

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little box — costs about 50 thousand.

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Tell me, please, how much does everything here cost?

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— No idea, it was a gift.

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And what's the control room worth?

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The mixer's cheap — 150,

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the case about 700.

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The server — 250.

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How much is the switcher?

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A sh*tload. 250 thousand.

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Lilliput — 50, the rest is small stuff,

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intercoms — 100. All the essentials.

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So that's the total we ended up with

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for running the Tagline conference broadcast.

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Big thanks to the guys at Zoom Rental,

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who we rented part of the gear from —

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buying it all ourselves just isn't in the budget.

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That was Lera and the OKVideo.Pro team!