Technical base for live broadcasts

The equipment we build broadcasts on

We show not a warehouse inventory but a working broadcast loop: cameras, control desk, sound, lighting, monitors, and kit expansion for the task.

multi-angle filming broadcast control desk connectivity redundancy
OKVideo.Pro's in-house technical base

What we keep in the working loop for broadcasts

These are the items that reinforce the core service: we bring them to the venue, build the setup, and take responsibility for switching, sound, recording, and broadcast stability.

01

Cameras

Sony FX6 cinema camera
camera

Sony FX6

A cinema camera for projects that need a softer image, confident handling of light, and a premium visual layer for the broadcast.

Sony PXW-Z150 professional 4K camcorder
camera

Sony PXW-Z150 4K

A reliable camcorder for conferences, forums, and events where a stable signal, long runtime, and a predictable image matter.

Sony SRG-X120 PTZ camera with control unit
PTZ

SDI / NDI PTZ cameras

Controllable cameras for halls, presidiums, remote angles, and tasks where an operator at each camera is not needed.

02

Broadcast control desk

Blackmagic ATEM 1 M/E Constellation 4K video switcher
video switcher

Blackmagic ATEM 1 M/E Constellation 4K

The core node for multi-angle broadcasts, presentations, titles, backup sources, and managed signal switching.

Roland VR-50HD live production desk
direction

Roland VR-50HD

A desk for compact broadcasts, hybrid meetings, and tasks where you need to quickly combine video, sound, and the presentation signal.

vMix media server for broadcasts
server

vMix media servers and recording of 4-10 signals

Servers for capture, recording, graphics, backup setups, and simultaneous work with several incoming sources.

03

Sound

Sennheiser EW100 G4 wireless systems
wireless systems

Sennheiser EW100 G4

Handheld and lavalier wireless systems, headsets, and kits for speakers, moderators, and stage formats.

Behringer X32 digital audio mixer
audio mixer

Behringer X32

A digital audio mixer for managed hall sound, microphones, remote speakers, recording, and monitoring.

04

Lighting and monitoring

Aputure 600d Pro lighting fixture from the kit
lighting

Lighting fixture kit

Bi-color monoblocks, LED panels, softboxes, stands, and stage lighting for a clean image at the venue and in the studio.

Lilliput PVM220S director's monitor
monitoring

Lilliput director's monitors

On-site signal monitoring, frame control, source preview, and working screens for the control desk.

Kit expansion for the task

What we add for projects with higher requirements

These items can be built into the technical setup, purchased, or brought in through a partner pool for a specific project. This is not a rental catalogue but a list of what we use to strengthen the broadcast task.

Elgato Stream Deck XL programmable controller
control

Stream Deck XL / Stream Deck+

Quick commands for vMix, graphics, scenes, titles, timers, and repeatable actions in a complex broadcast.

Hollyland Cosmo 2000 wireless video system
video link

Hollyland Cosmo 2000

Wireless video transmission where a cable gets in the way of the stage, the camera, or quick venue setup.

Hollyland Solidcom C1 Pro wireless intercom
intercom

Hollyland Solidcom C1 Pro

Wireless communication for the director, operators, and technical crew at venues where managing the broadcast quickly matters.

LiveU Solo Pro and Peplink MAX BR1 Pro 5G bonding routers
bonding

LiveU Solo Pro / Peplink MAX BR1 Pro 5G

Factory bonding solutions for projects that need mobile channel redundancy and predictable connectivity.

OKVideo.Pro in-house server-side bonding solution
connectivity

In-house hardware and software solutions

Connectivity redundancy scenarios, server-side components, monitoring, and broadcast routing tailored to the requirements of a specific venue.

How this helps the project

Equipment matters not on its own but as part of the broadcast setup

We select the kit for the event scenario: how many cameras are needed, where the sound will be, which presentation sources there are, where redundancy is critical, and how to deliver the signal to viewers.

Fewer technical surprises

We know in advance what to bring, how to connect the devices, and where backup scenarios are needed.

Faster setup at the venue

A working kit and proven setups help us avoid building the broadcast from scratch on the day of the event.

A clearer estimate

The client sees what shapes the technical level of the project: cameras, sound, connectivity, recording, and crew.

Need to build a broadcast for a specific venue?

Describe the format, the hall, the number of speakers, the platforms, and the redundancy requirements - we will propose an equipment kit and a clear technical setup.

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