Live event streaming production in Moscow

The price depends on the equipment package, number of specialists, and task complexity: venue, duration, number of cameras, sound, graphics, remote links, platforms, and backup requirements. For a typical task, you can use the pricing block above as a guide; for a non-standard one, message us and we will quickly prepare a clear estimate.

For a simple broadcast, two cameras are usually enough: a wide shot and a tighter speaker shot. For a conference, discussion, or room with audience questions, we more often use 3-4 cameras to show the stage, participants, and audience. Concerts, sports, and dynamic events may need 5+ cameras, including special positions, moving shots, or detail coverage.

The choice depends on the presentation format, number of people on stage, audience questions, whether speakers need free hands, and sound reinforcement for the in-person audience. Describe the mechanics in your own words: who speaks, where they are, and how they move. We will suggest the optimal microphone and sound setup.

We can stream to social networks, video platforms, video-conferencing systems, and commercial platforms: VK, YouTube, Rutube, Telegram, Zoom, Google Meet, Microsoft Teams, Kontur.Tolk, SaluteJazz, Webinar.ru, Facecast, and others. You can stream to several platforms at once. The best platform is the one where your audience already is and where the needed functionality is available.

Yes. We record the broadcast and can also provide separate camera source files if they are needed for editing, archiving, or later content cutdowns.

Yes. We can show presentations, screen shares, and materials from several devices, for example from the control room and from a laptop on stage. It is best to note this in the technical brief in advance so we can prepare the right connections and test everything before the broadcast.

Yes. We will choose a suitable conferencing system, test connection, sound, and video in advance, and account for possible regional, corporate network, or venue restrictions.

Yes, in two ways. The classic setup: human interpreters and separate language tracks — we have run streams in 10+ languages. And the new format — simultaneous AI translation into 23 languages: guests scan a QR code and listen on their own smartphones, no booths or receivers, from RUB 10,000 per hour.

We own our equipment and do not carry inflated marketing costs or extra sales layers. More of the budget goes into equipment, engineers, and broadcast reliability. Good equipment is more efficient in the long run: it is more stable, produces a better picture, and needs urgent replacement less often.

That happens. It is important to compare not only the final amount, but also the team, camera level, microphones, switching, backups, and specialists' experience. Send us another estimate and we will see where the setup can be optimized and offer an honest option for your task.

You can reach out 1–3 days ahead — we take on rush projects. For popular dates and large formats it is better to plan in advance: 2+ weeks, and sometimes a couple of months, so we can calmly assemble the crew and gear.

We usually reply within 2–4 hours during business hours: we clarify the details and send a ballpark estimate.

Yes, we work with legal entities by contract and bank transfer, with electronic document exchange and a full set of closing documents.

Our base and studio are in Moscow, but we run on-site broadcasts across Russia and abroad. For a remote venue we plan logistics, connectivity, and backup in advance.

That is exactly why we back up the critical points: we duplicate the connection (channel aggregation plus mobile internet), recording, power, and key switching. Most possible failures never reach the viewer because the headroom is built in.

We hand over all materials and recordings to the client. We work with NDAs and private access: we restrict links, access, and publication per your requirements.